Flavio's Artistic Portfolio (only Stratovarius will be shown)

[Mr cool Edit]

Well, this is my new message in this new era we're all living in.

The video I'm going to present is a special one about my experience as an artist and YouTuber. I have a lot of people with fake accounts trying to take things that don't belong to them artistically, putting my ideas based on Stratovarius' music at risk. They laugh at the problem, but for an emerging artist like me, it's a real issue.

This is the song "Night Time Eclipse," originally dedicated in my version to all the "hidden and aggressive thieves" who lurk on YouTube under accounts without real identification.

Many people also told me I sound like "Timo Tolkki's little brother" because of my voice. I can't be his son anymore because I'm 46 years old, hahaha!

I hope you enjoy my negative energy rant in video form about this bad digital experience.

P.S.: The video is a bit staged; don't think I actually have these gestures or a crazy expression like in the video.

P.S 2: The copyright belongs to Stratovarius and Timo Tolkki; if the video goes viral, they will receive the royalties.

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[SatanicSmile]

This is the song "Night Time Eclipse," originally dedicated in my version to all the "hidden and aggressive thieves" who lurk on YouTube under accounts without real identification.

One was found last night during a special operation. Half joking here tho

[Mr cool Edit]

Be careful with this, bro, the world isn't so normal as the psychologist think about it

[SatanicSmile]

Be careful with this, bro, the world isn't so normal as the psychologist think about it

Oh so true and thank you

[Mr cool Edit]

Well, it's a new day in Argentina. I don't know what time it is in the Nordic countries, but the point is that, due to personal care, my work, studies, family and household chores, and artistic endeavors, I get up very early in the morning to complete my daily tasks.

Today I bring you a personal version of the song "United" from the album "Stratovarius," although many consider it the "Worst Stratovarius Album." The truth is, I really liked it. I don't see it as that "Horrible" artistically.

The story behind this song applied to my world? It's a call for unity in a channel shattered by the personal interests of my "former fans." The story goes like this...

When I started honing my skills in music production, my biggest obsession was developing a technique that could replicate the greats. As we all know, Stratovarius is one of the greats, both with Timo Tolkki and Matias Kupiainen. I mention them because it was the change that had the biggest impact on the fans. Timo Tolkki was a genius in his style, and the change to Matias Kupiainen was a do-or-die move in the band's history, which, as we all know, fortunately paid off for them in stepping out of their comfort zone.

The thing is, I had released free karaoke tracks for a while, which I can no longer do due to international legal issues. The problem wasn't Stratovarius, but Rhapsody of Fire...

I received a contact from a lawyer in Germany, from their record label. Limp, or something like that, claimed I didn't know how I'd gotten the band's material and that if I distributed it publicly, Rhapsody of Fire would sue me for copyright infringement and piracy... honestly, how could they sue me for piracy if they didn't even understand how I got the material, right?

After studying an entire book on international law and copyright for two days, I reached an agreement with the lawyer, which was a complete halt to karaoke production. That means no more free karaoke for anyone, ever again.

The lawyer was satisfied, and I was saved from financial ruin. For this reason, my followers, who only wanted the karaoke videos, erupted in anger! They not only criticized me for what I did, but they also attacked me, not even caring whether I could handle it or not. My YouTube channel was at a critical point and on the verge of closing. So I decided to post a message in the "community" section explaining the situation and stating that anyone who wanted to leave could go. They erupted even more in anger, and one by one they started leaving. Only those who truly valued my work stayed.

The Stratovarius song was chosen as my personal anthem to welcome the year 2026, as a plea for unity within the channel's metal community. I argued that if they left and we became divided, we would all fall apart. But they didn't care and kept leaving. I didn't stop them; I let them go without worrying about the channel's future. I was just living in the present at that moment. For this reason, all my karaoke examples are censored and not publicly available; they can only be acquired privately and for legitimate and legal use.

This led me to acquire more resources to continue my artistic career without collapsing, but I'll talk about that later...

PS: Don't pay attention to the cover photo; I looked heavier than I am because of the camera. I'm trying to lose weight and I'm succeeding...

PS 2: As always, and as I've already stated, if the video goes viral, the royalties will go to Timo Tolkki and Stratovarius.

PS 3: Why is there a Fire Horse on the cover? Because 2026 is the Year of the Fire Horse in the Chinese Zodiac.

[ZenithMC]

All I can say is... SUSCRIBITE SUSCRIBITE SUSCRIBITE 0.0!!

[SatanicSmile]

Today I bring you a personal version of the song "United" from the album "Stratovarius," although many consider it the "Worst Stratovarius Album." The truth is, I really liked it. I don't see it as that "Horrible" artistically.

Might be the "worst" for me but actually not the least listened - it's probably somewhere in the middle. There were some periods of time I listened to a bunch of its songs a lot. So I do love it. In a way there's some much welcomed change, although thankfully only for a moment. The album just happens to lack certain things the band does best. NO weak albums in this band's discography!

I checked the video earlier, suscribite!

[Mr cool Edit]

Yesterday I got so engrossed in this forum, after so many years, that I forgot to study for university. I need to give my mind a break because otherwise I won't understand anything. Getting hooked on the forum saved me a bit from stress and mental fatigue.

I was supposed to do a practice exercise on how to create an algorithm in Python, and I got completely lost. I also have to study mathematical analysis because last Thursday, true to form in Argentina, I don't have classes this week because the universities are in conflict with the Argentine government. On Thursday, they threw a long list of math content at me, which almost gave me a stroke. That class was hell on earth.

The following song is something I made for Christmas 2025. I tried to express my best wishes based on the Stratovarius song, "Lead Us into the Light," but I see that nobody liked it... that's life, short and tough, as my grandfather used to say.

[Mr cool Edit]

Stratovarius – “Hands of Time,” what can I say? – here I switched my brain to “Timo Tolkki” mode, so much so that they said “TOLKKI, YOU REMIND ME OF TOLKKI,” and I ended up believing it and doing it. You wanted Timo Tolkki? Okay, here you have Timo Tolkki but with Latin blood. Let's not kid ourselves, Timo Tolkki is better looking than me, just because he's written over 100 songs makes him better looking.

Enjoy! Or try not to insult me, I don't know what to expect from the metal community anymore!



2025 Covers

[Mr cool Edit]

Here's my cover of Stratovarius' "Night Screamer" from the album "Fright Night." It's pure Tolkki, and I think the vocals are way too low here, the complete opposite of Rhapsody. That's what happens when you don't give your brain a break; in the long run, you end up listening to nonsense. Now I take things more calmly; before, it was all about the enthusiasm to show off my skills.

The music video is rubbish, but I couldn't think of anything else. Honestly, making music videos for everything you do is a heavy and very creative task, so now I'm a bit more selective with my ideas.

[NeverendingAbyss]

I read the title as Flavio's autistic portfolio.

In any case both portfolios are extensive.

[Mr cool Edit]

I read the title as Flavio's autistic portfolio.

In any case both portfolios are extensive.

Thanks, friend, for thinking I'm autistic. That's thanks to the university that's asking me to understand and reason like a computer.

[Mr cool Edit]

Hello, today is March 18, 2026, and it's 4:45 AM. I woke up early today because I have a lot to do, including deactivating all the junk on my junk phone, my great Motorola G22 from 2022, which cost 51,000 pesos, or 36.3 dollars, or 31.69 euros for Europeans. I'm that simple, not to say POOR, and with the technological crisis the world is experiencing, this phone has to last me at least until 2030, because everything is seriously going to hell for reasons only those of us who are computer technicians understand. Ordinary people only know that inflation is rising and that they can no longer buy technology like they used to.

This song is another "Made In Tolkki" track from Stratovarius' album "Fright Night." Keep in mind that I practically did the entire album of covers, except for the instrumentals, which I don't do to avoid putting absurd things on my YouTube channel. And I say absurd not because of Stratovarius' music, but because there are more repetitions than a drunk burps after a crate of vodka.

This is a cover from the year 2025… vintage style video.... i'm a pandora box, really

[SatanicSmile]

2:05 I still see nightmares

[Mr cool Edit]

2:05 I still see nightmares

[Mr cool Edit]

The story behind this song, by Stratovarius, from the album "Fright Night," called "False Messiah," goes back to a time in my life when I lived in a different part of Buenos Aires. Right across the street from my old house, an evangelical church had been set up. The thing is, they were constantly playing music for Jesus Christ and shouting, worse than I am when I'm recording, not to mention the ton of nonsense the pastor yelled every second. Once, they cornered me to try and sell me an evangelical Bible, and that's when the idea hit me, and I remembered this song.

And here it is, with a religious video, and also one that's against religion, not to mention that it's also a critique of the human system and its religious absurdities.

2025 cover

[Mr cool Edit]

After a morning filled with more hacking attempts on my Microsoft OneDrive servers, this time, thanks to some miracle from our Lord Jesus Christ or our Lord Lucifer, the fallen angel so many metalheads worship, Microsoft installed more security on my accounts. It eliminated the attempt without even giving it a chance to breathe. I couldn't see where the hell that scoundrel came from, otherwise I'd warn you that there are people who enjoy committing crimes using other people's accounts.

Guys, I'm so fed up I'm practically carrying my own weight around on my shoulders. I DON'T HAVE ANY PRODUCTIONS ON SERVERS. If you want my stuff, you're going to have to…

1. Hack a Linux operating system with a password that, even with brute-force software, will take ages to crack. You'll probably die before you manage to hack my Linux. Not only that, but my productions aren't even stored on this Linux system, so even if you get in, you won't find anything. It's the only way you can access my PC since it's the only operating system with an internet connection.

2. The audio and video production system I use is a dual-boot system with Linux and Windows 7. As a security layer, I log in to Linux; Windows is just a burden, like it's a slave to Linux. I should also mention that music productions AREN'T ON WINDOWS EITHER, SO EVEN IF YOU PAY THE BEST HACKER IN HISTORY A FORTUNE, THEY'LL STILL FAIL, BECAUSE THERE'S NOTHING ON WINDOWS EITHER. What's more, Windows doesn't even have internet access, so your only option is to go head-to-head with Linux, its automatic VPN, your ISP's VPN, a V6 IP address, and identify yourself with a network pseudonym that's more common than the name "Carlos" in Argentina.

If you're so brilliant, guess where the hell I have everything, you criminal masterminds? I'll leave you to think about it.

PS: I'm posting this message everywhere because I don't know who's obsessed with forcibly taking everything of mine, and nobody even knows me. Imagine if I had Stratovarius' fame, I'd be fighting hackers every minute of every day.

That said, shall we get to today's video?

Stratovarius – Twilight Symphony under the watchful eye of Little Timo “Mr. Cool Edit” Tolkki. I'm sure if the real Tolkki reads this, he'd be mad at me for the second time. For some reason, Timo Tolkki erased me from his world.

I made the song because I liked it, period. That's all there is to it, hahaha! – It was a day I wanted to die because of personal issues, stupid things that come to mind when you're going through a family crisis.



2025 cover

[Mr cool Edit]

This time I'm presenting my own version of Timo Tolkki's solo work – “Soldier’s Prayer” from his solo album. I truly admire Timo Tolkki's humanity, despite his health issues and the questionable actions he's taken in his life. I've always appreciated his songwriting.

I particularly liked this song because I personally hate wars and politicians; they are the downfall of humanity. Beyond the absurdity of religion, Satan does exist; he's called “Politicians.”

[Mr cool Edit]

Ladies and gentlemen of StratoForum, here's my version of a Timo Tolkki song called "Fire Dance Suite." I took a shitty Timo Tolkki video and mixed it with my own idea. It's not too bad because it simulates Timo Tolkki burning in hell, it's so bad the video quality is terrible

the song is nice, even though the video is crap, but it is what it is. It's enough with the limited material I had at the time



The song "Fire Dance Suite" is an emblematic piece of the solo career of Timo Tolkki, the former guitarist and leader of the Finnish power metal band Stratovarius. It was originally released in October 1994 as part of his debut solo album, titled Classical Variations and Themes.

Here are the key aspects of its history:
Origin and relationship with Stratovarius
Early composition: Although it appeared on his solo album in 1994, the song was originally composed for Stratovarius in 1986.
Decision to include it: Despite its roots in the band, Tolkki ultimately decided to include it in his personal project. Years later, in 1997, it was included on the Stratovarius compilation album, The Past and Now.
Musicians involved: His then-Stratovarius bandmates, Antti Ikonen on keyboards and Tuomo Lassila on drums, participated in the recording.


Song Characteristics
Vocal Performance: This is one of the few tracks on the album (along with "Soldier's Prayer") that is not instrumental. Timo Tolkki himself handles the vocals, showcasing a melodic style that complements his guitar technique.
Musical Style: It falls within the realm of neoclassical metal and melodic power metal. The "suite" structure suggests a piece with different sections that evoke a mystical and dramatic atmosphere.
Lyrics and Themes: The lyrics describe a nighttime gathering around a bonfire ("Dancing around the fire"), evoking memories of the past and a sense of spiritual loss or redemption before the "fire that burns the soul."

Production and Legacy
Recording Context: The album was recorded at Soundtrack Studios in Helsinki, concurrently with the sessions for Stratovarius' Fourth Dimension (the first album with vocalist Timo Kotipelto).

Music video: The song had an official music video, something unusual for a solo metal project of that era in Finland, which helped to cement its popularity.

[SatanicSmile]

Huh had forgotten there's a music video for that one. Checked from Tolkki channel and could almost count the pixels

[Mr cool Edit]

This is a Revolution Renaissance cover song, “last night on Earth” where I tried to “make my voice a little more compatible” with Michael Kiske's… and the result was this.

The video is a call to attention to the human race and its idiocies in its actions, fusing revolts and political crises of real countries, with it I play Fallout 4 where it tries to give a message of the massive destruction of humanity and the world by nuclear wars (keep in mind that there is more than one war in progress, that of Iran and Ukraine), plus the dream of what should be done for the good of all of us.



The story of the song "Last Night on Earth" is fundamental to understanding Timo Tolkki's transition after his departure from Stratovarius and the birth of his Revolution Renaissance project.
The "Phantom Disk" by Stratovarius
Originally, this song was not written for a new band, but was to be part of the next Stratovarius album.

Composition: It was written by Timo Tolkki in 2007 while he was still leading Stratovarius.
The 2007 Demo: The song first appeared on a demo album titled Revolution Renaissance, which Tolkki posted on Stratovarius' website before the band's official breakup.
Live debut: It became known worldwide on August 4, 2007 during the presentation of Stratovarius at the Wacken Open Air festival. It was the only song from that material that the classic Stratovarius lineup ever played live.

Transition to Revolution Renaissance
After Tolkki's resounding departure from Stratovarius in 2008, he retained the rights to the songs he had written for that "lost album" and used them to launch his new band, which he named the same as the demo: Revolution Renaissance.
Studio version: The song was eventually recorded for the debut album New Era (2008).
Voice: Unlike the live version sung by Timo Kotipelto, on the New Era album the main vocal of this song was performed by the renowned German singer Michael Kiske (ex-Helloween).
Meaning of the letter
Lyrically, the song is an introspective and critical journey about the current situation of humanity:
Point of No Return: Describes an apocalyptic scenario or limit (the "final frontier") where violence and hatred consume souls.
Call to reflection: The central message revolves around the question: "What would you do if it were your last night on Earth?", urging the listener to consider their priorities and the impact they leave on the world in the face of their own mortality.

To understand the conflict, we must go back to April 2008, when Timo Tolkki surprisingly announced the dissolution of Stratovarius in a lengthy statement. What followed was one of the strangest transitions in metal history:
The Legal Conflict and the "Donation" of the Name
Tolkki's departure: Citing unbearable internal tensions and lack of enthusiasm, Tolkki decided to leave the band. However, in an unexpected legal move, he formally signed over the rights to the name "Stratovarius" and his entire catalog to the remaining members (Timo Kotipelto, Jens Johansson and Lauri Porra).
The motivation: Tolkki stated at the time that he was doing it as a "gift" so that his former teammates could move forward, while he focused on his new project, Revolution Renaissance.
The regret: Shortly afterwards, Tolkki seemed to regret the decision, criticizing the band for continuing without him and for the musical direction they took with the album Polaris (2009).
Michael Kiske's Participation
In the midst of this drama, Tolkki recorded Revolution Renaissance's New Era (2008) album using the songs that were originally for Stratovarius' next album.
The reunion: It was a milestone because Michael Kiske (who at that time was away from metal and renounced his past in Helloween) agreed to sing on several songs, including "Last Night on Earth" and "I Just Want to Believe."
Other voices: In addition to Kiske, the album featured Tobias Sammet (Edguy/Avantasia), which made it a studio "supergroup", although the band never managed to establish itself as a stable entity after that release.
The Final Result
Stratovarius demonstrated that it could survive without its main composer, achieving a commercial and critical renaissance. For its part, Revolution Renaissance disbanded in 2010 after three albums, due to Tolkki's health and logistical problems.

[Mr cool Edit]

Well, it's time to test Jens Johansson's nerves, I just played his own creation, Stratovarius – Winter Skies, in the style of Timo “Mr Cool Edit” Tolkki.

You know, if I show up with a Viking ax stuck in my brain and thrown through the streets of Buenos Aires, you know it was him...

It is a bit ridiculous to sing about the northern lights and the Nordic winter, not to mention the skies of the northern countries when I did not leave Argentina. ha ha ha!

That is the madness that characterizes the zodiac sign of Aquarius



"Winter Skies" is a fundamental piece in the history of Stratovarius, as it marked the band's rebirth after its deepest crisis. It appeared on the album Polaris (2009), the first album without its historical leader and main composer, Timo Tolkki.
Here I tell you the details that make this song special:
1. The New Beginning (Post-Tolkki)
Following Tolkki's turbulent departure in 2008, many thought the band would die. However, the remaining members recruited the young guitarist Matias Kupiainen. "Winter Skies" was composed entirely by keyboardist Jens Johansson, who took the creative reins to demonstrate that Stratovarius still had that melodic and majestic essence.
2. Style and Atmosphere
Unlike the fast "Power Metal" songs the band was used to (like Eagleheart or Speed of Light), "Winter Skies" is a mid-tempo track with a much more progressive and atmospheric approach:
The Keyboard: Johansson uses layers of synthesizers that evoke the cold and desolation of Nordic landscapes.
The Voice: It is considered one of the most emotional performances by Timo Kotipelto, who uses a lower, more controlled register in the verses before exploding in the chorus.
3. The Theme: Winter Blues
The lyrics reflect deep introspection. It talks about loneliness, the passage of time and the search for hope under a dark winter sky. It's a perfect metaphor for the band's emotional state at the time: emerging from the darkness of internal conflicts into a new light ("The winter skies are calling me...").
4. Production and Sound
It was recorded at Finnvox studios in Helsinki. The production of this song stood out for being much more modern and clearer than previous works, establishing the "new sound" of Stratovarius that would be maintained in later albums such as Elysium and Nemesis.
5. Reception
She quickly became a fan favorite and a fixture at their concerts for years. He demonstrated to critics that the band could survive and evolve without its founder, while maintaining compositional quality.

[Mr cool Edit]

The story behind this cover stems from a family event. My mother loves astrology, and one day I found her in the kitchen studying a birth chart. I asked her, "What are you doing, Mom?" She replied, "Studying astrology." I just stared at her, wide-eyed like a cow watching a train go by, and I started working on this song by Timo Tolkki, "Age of Aquarius," from his band Revolution Renaissance. It goes without saying that my zodiac sign is Aquarius, my moon is in Virgo, and my ascendant is in Pisces. That's what makes me who I am, as you know.

The music video is based on astrology, the Age of Aquarius, and Pluto's entry into the house of Aquarius. Therefore, the effect of this conjunction of Pluto and Uranus is all the disaster we are experiencing on a global scale.



Pluto's definitive entry into Aquarius, which occurred on November 19, 2024, marks the beginning of a transit that will last approximately 20 years (until 2044). In mundane astrology, this event is considered one of the most significant of the 21st century, as it symbolizes a change of era and a profound transformation in collective structures.

Below is a detailed explanation of what this movement means for the world:
1. Social Transformation and Collective Power
Dismantling of obsolete systems: Pluto is the planet of "death and rebirth," while Aquarius governs community and innovation. Traditional power structures (vertical hierarchies) are expected to give way to more horizontal, equitable, and collaborative models.

Revolution of the masses: As occurred during the French Revolution (the last time Pluto was in Aquarius), this transit suggests a surge in social movements seeking freedom and social justice.

2. Technological Revolution and Science
New Frontiers: An unprecedented acceleration in artificial intelligence, space exploration, and biotechnology is anticipated.
Renewable Energies: Aquarius, as a sign of collective consciousness, will drive a radical change in our relationship with the environment, prioritizing sustainability and clean energy.

3. Change of Mindset (Utopia vs. Dystopia)
Ethical Challenges: The transit presents a tension between the use of technology for human liberation or for extreme social control (mass surveillance).
Spiritual Connection: Beyond the technical aspects, a new "spiritual responsibility" and a reconnection with humanity through the collective network are sought.

4. Impact by Signs
Although it is a global transit, it affects the fixed signs more intensely: Aquarius, Leo, Scorpio, and Taurus, who will experience empowerment processes and profound life changes in the next two decades. This period invites us to let go of old limitations and to actively participate in building the future we want to see.

___________

"Age of Aquarius" is the title track of the second studio album by Revolution Renaissance, the power metal band founded by Finnish guitarist Timo Tolkki after his departure from Stratovarius.

Context and Composition
Release: It was released in March 2009.
New Lineup: Unlike the project's first album (New Era), which featured guest vocalists such as Michael Kiske and Tobias Sammet, this song presents the band's stable lineup for the first time, with Brazilian Gus Monsanto on vocals.
Musical Style: It is described as a melodic heavy metal track with modern touches. The song is noticeably darker and more symphonic than Tolkki's previous work, moving away from fast-paced power metal to adopt a more measured and dramatic rhythm.

Meaning of the Lyrics
Unlike the famous eponymous song from the 1960s (associated with the hippie movement and optimism), Revolution Renaissance's version has a darker and more reflective tone:

End of an Era: The lyrics suggest that humanity has reached a "final round" and that there is no time to change the destiny we have forged.
Darkness vs. Light: It speaks of a "hole that gets deeper" as the light is lost, questioning how many more must die before finding a reason for peace.
Chosen Blind: It mentions a "chosen one" who cannot see reality, which has been interpreted by some fans as a metaphor for Tolkki's frustration with the industry or his own personal journey.

Production and Promotion
Music Video: A promotional video for this track was produced in late 2008 to anticipate the album's release.

Distribution: As a promotional strategy, the band released the song for free download in high-quality MP3 format through their official website at the time.

[Mr cool Edit]

This was my New Year's gift to my followers, who turned out not to be that many... based on my mind control practices and Timo Tolkki's fabulous song. I love this song, and to say that Timo Tolkki isn't gay, and neither am I, unless I propose marriage...

Stratovarius - Luminous, by Timo "Mr Cool Edit" Tolkki Happy New year 2025!

Stratovarius' song "Luminous" is part of the album Elements Pt. 2, released in October 2003. Unlike their fast-paced power metal anthems, this piece stands out as an atmospheric and progressive composition that reflects the band's most experimental and grandiose phase under Timo Tolkki's leadership.

History and Meaning
The song was written and composed entirely by Timo Tolkki during a period of deep introspection and spiritual seeking.

Spiritual Theme: The lyrics explore the connection between humanity and the cosmos. They use metaphors such as "shining like the stars" and "returning to the great ocean of living energy" upon death, suggesting a pantheistic vision where everything in the universe is interconnected.
Message of Unity: It includes an important social reflection with the line: "No tree has branches so foolish as to fight each other," a critique of human conflict highlighting that we share the same biology and "luminous" essence.

Album Context: Recorded at Finnvox Studios in Helsinki as part of the ambitious double album Elements project, the production incorporated orchestral elements and massive choirs to create an epic and transcendent sound that complemented the lyrics' message.

Musical Characteristics
Structure: It departs from the genre's traditional fast double bass drumming, focusing on a mid-tempo groove with layers of atmospheric keyboards by Jens Johansson.
Vocal Performance: Considered one of Timo Kotipelto's most emotive performances, he adapts his vocal range to convey the peace and mysticism that the lyrics demand.

This song is remembered by fans of the band as one of the pieces that best encapsulates the philosophy of the Elements era: a blend of symphonic metal with lyrics that promote unity and cosmic awareness.