Pancio wrote:Replying to Zenith: Square-built solos means, in my mind, a very static fingering pattern in playing scales which leads Tolkki in playing basically up and down scales in the same neck positions.
this is true, timo tolkki is very simple
ZenithMC wrote:About the whole "soul" argument, I just don't really understand what that means. Soul seems to be a very malleable term that differs from person to person. I have seen multiple people attribute it to Tolkki's playing and omit it from Matias' playing. Very perplexing. Perhaps it's because those fans feel nostalgic for the Tolkki era.
the big difference is in the songs, for that i think that jorg Michael left of stratovarius, why the songs of the new stratovarius are more cold that the tolkki songs.
ZenithMC wrote:Matias and Tolkki have both written solos that I consider emotionally captivating. I could say the same about their songs, as well.
I actually find one song that can touch the tolkki ass and is "Deep Unknow" about feeling speaking, all the others have a very high skill in guitar but is more cold in feelings
the same happen with rolf and jorg Michael, stratovarius says the have the same hit, but in the records both sound differents
about matias and tolkki:
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or
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in the speed metal you cant find the feeling difference why matias is very good playing speed metal, the huge problem comes in the ballads, but timo tolkki need more vocalist that actual stratovarius
about ballads
Matias not wrote a lot ballads, i cant compare tolkki with kupiainen why he only have 1 ballads in co write with kotipelto
I can compare porra - tolkki in ballads or johansson with tolkki.
the best song of Matias is Elysium for much but including Elysium not that the heavy passion that tolkki put in his songs
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about ballads again.... wtf... i dunno somehow precious?